Pictures with Essence


Philip -Animal Artist:

Capturing the Essence of the Animal Kingdom

Philip - Animal artist with a zebra

For Philip Andrew, art is far more than a technical exercise in achieving a “good likeness”—it is a profound exploration of connection. To Philip, a successful painting doesn’t just show you what an animal looks like; it makes you feel who they are.

As a self-taught artist with a lifelong devotion to the natural world, Philip’s creative process is inextricably linked to his daily life spent in the company of the creatures he paints. His days are spent at Hope Pastures, an equine rescue centre in North Leeds, where the air is filled with the rhythmic breathing of horses and the quiet, steady resilience of animals in recovery.

It is here, amidst the earthy scents of the stables and the spirited presence of local wildlife, that Philip finds his deepest inspiration. He observes the subtle tilt of a head, the flicker of an ear, and the deep, communicative power in an animal’s eyes. When the sun sets, he returns to his studio to translate those moments of quiet strength and soulful character onto canvas. Each brushstroke is a tribute to the personalities he encounters, turning a day’s work in rescue into a night’s work in fine art.

From the Sanctuary to the Studio

Philip’s passion has taken him across the globe, most notably to South Africa. These travels have allowed him to get “up close and personal” with the majestic subjects of his paintings. Whether visiting a global sanctuary or working at a local rescue, Philip finds hope in the beauty of animals and a drive to share their stories through his art.

While he is a “cat person” at heart—inspired by everything from the domestic tabby to the African leopard—his portfolio spans a diverse range of subjects, with a particular love for cats (large and small), foxes, zebras, and equines.

(All the pictures on this page were taken at wildlife sanctuaries)

Philip - Animal artist with an elephant
Zoe and I

The Art of the Layer

Though he occasionally works in watercolours, Philip’s true medium is oils. His signature style relies on the patient building of layers:

  • The Foundation: Starting with dark base layers to establish depth.
  • The Texture: Building up strokes of colour to create the realism of fur and feathers.
  • The Essence: Finishing with delicate glazes and fine surface hairs to bring the animal to life.

This meticulous process ensures that each piece is not just a painting, but an interesting work of art in its own right.

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